Huichol Indian Art and Crafts
Huichol artists use as their inspiration the world around them-much of which they consider sacred-as well as their dreams, and the visions they experience while under the influence of peyote, a desert cactus that contains mind-altering substances. Almost everything about their art is symbolic, from the figures and stories represented to the colors used, which are usually deep and vibrant. Animals seen frequently in Huichol art include deer, eagles, birds, scorpions, jaguars, and turkeys. Flowers and plants are also common-especially the peyote, which is considered sacred.
There are many different kinds of Huichol art, including embroidery, weavings made on backstrap looms, masks adorned with beads, gourd (prayer) bowls, and yarn paintings. Embroidery-cross stitch-is a recent introduction, having been taught to Indian children in Catholic boarding schools by the nuns there. It’s used in large quantities on clothing. Backstrap weaving, on the other hand, is very old, dating back to pre-Colombian times. It’s taken quite seriously, with training that compares to that of an apprentice shaman. It’s primarily done by the women, as is embroidery.
Gourd bowls, called xukÃ?ºr, are decorated on the inside with symbols made from yarn pressed into wax. They are considered to be female, representing mother goddesses, because their shape resembles that of a womb. They are also believed to be the best way to communicate with the Divine, perhaps because they can be filled with objects that symbolize the petitioner’s needs and desires.
The Huichol produce other items, include finger-woven beaded jewelry and “eyes of god” (ojos de Dios). But it is their yarn paintings that have caught the attention of the outside world-which is understandable, considering that outsiders first suggested them.
Huichol artists at one time carved designs on large stone slabs and then colored them with natural dyes. These were noticed by visitors who wanted to buy them, but because they were made of stone, they were difficult to transport, as well as being extremely time-consuming to make. The Huichol were open to other opportunities to show their art, though, because it was a way to supplement the meager income from their farming. It was suggested that they apply the technique they used for their gourd bowls to a flat surface-and yarn paintings were born.
To make a yarn painting, the artist uses a wooden board with beeswax spread over its surface. The design is either traced on the board (where it will show through the wax, which is transparent) or scratched into the wax. The wax-covered board is then left in the sun, and when the wax has softened the design is filled in with yarn pressed into the wax.
The Huichols prefer to use natural materials in their art, but in the case of the yarn used they’ve made a concession, and now use synthetic commercial yarn rather than handspun wool (probably because of the larger quantities and colors available). However, when it comes to the wax they still insist that it come from a particular bee indigenous to the area. This bee is sting less and builds smaller hives, so its wax is produced in smaller quantities. But the Huichol are serious about using it, because they consider this bee to be sacred.
Yarn paintings started out small-less than 12 inches square-because the board used was very heavy. The transition to lighter board allowed the paintings to grow in size, so that they now can be as big as several feet across.
Huichol yarn paintings are now shown in galleries and sold by dealers. There is an exhibit of work by the renowned shaman-artist JosÃ?© BenÃ?Âtez SÃ?¡nchez at the University of Pennsylvania Museum of Archeology and Anthropology. The Huichols, isolated for many thousands of years in the mountains of Mexico, are now being recognized around the world for their art-including a style of painting that is unique to their culture.
