Protecting Your Artwork Investment
Don’t put off taking steps to protect your art investment. Immediately after purchasing is the time to start. If it came to you in an archival art sleeve – great. Just keep in mind that you should try to replace the art sleeve approximately every year.
What are the other options?
FRAMING and MATTING
If you plan to frame it, there are a lot of inexpensive mat and frame sets ready to go in popular sizes in your local craft and hobby store, and even your local discount store or Ebay. Here is a situation where the phrase “you get what you pay for” really is true. Yes, it’s very inexpensive to go this route, but in the end, your art isn’t as well protected as it could be. If the frame and mat set is made in China, if it says “Acid Free” or “Lignen Free” that may not really mean it is truly an acid free or lignin free product. That is not to say that the companies are intentionally lying, but just that often due to a lack of knowledge of English, they may just copy USA Made products’ wording and packaging.
If you are not bothered that the original artwork could (and probably will) be damaged by using lower quality products, then go ahead. I have done this for some items myself. You will spend in the area of $20 and up.
If you really care about the artwork but you just can’t spend the $150 or more that professional framing will cost, then consider buying the cheap frame but get a new mat cut – avoiding the mat included in the frame and mat package. Getting a custom mat cut at the frame shop usually runs from $5-$10 but depends on the type of matting material you desire. Ask for ‘Conservation Grade’ materials. Most professional frame shops do use this type but it’s good to ask to be sure.
Just having a true Conservation Grade mat up against your original art on paper is an improvement over using a questionable mat. Use framer’s tape (not just general masking tape and definitely do not use package tape or regular gift wrapping tape). Framer’s tape has a special adhesive and is acid free. It will cost you just a few dollars to buy some, or if you strike up a friendly comraderie with the person at the framing desk, maybe they will give you 4 pieces, just the amount you need – for free.
For artwork you really care about, do make the investment of getting it professionally framed and matted. If it’s an original pastel work on paper, there is a special ledge that the framer can create that will allow any stray pastel particles to fall into, so there won’t be unsightly pastel powder buildup inside the glass – it will fall into the hidden recess behind the mat. Again, ask whatever frame shop you use if they use Conservation Grade materials. Another feature to look for is UV Protection glass, to avoid sunlight damage. Non-glare glass is also offered by framers, but it will tend to artificially dull the appearance of the artwork. If you have no idea about what color matting will look best with the artwork, you will generally make a good decision if you go with the framer’s recommendations.
If you are not in a rush to get your artwork framed, you can get on the mailing list for your framer. Most of them have sales or discounts on custom framing during their slow times. Avoid the traditionally busy times for frame shops, which are usually October through December. Expect that your framing will likely take about 2 weeks, or even more time if your matting needed to be special ordered.
WHERE TO DISPLAY YOUR ART
Once it’s framed, where are you going to put it? Avoid areas with either high humidity or extreme dryness. Humidity will make the paper wavy, and dryness can make it brittle. Look for a place that has enough light for you to enjoy the artwork, but an area that doesn’t get a lot of direct sunlight. The sun will do a lot of damage to works of art on paper.
I hope this Guide has been helpful to you in protecting your artwork investment. If you have any questions, feel free to contact me.
